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Welcome to the Orange Alert Dutch Art Events blog, provided by the Consulate General of the Netherlands in New York. Our website features Dutch visual arts, cultural, architecture and design projects that can be found throughout the United States. Please visit frequently for the latest Dutch events going on around the country.
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March 4th, 2011 by Robert Kloos
Friday, March 4, 2011, 6-8pm RSVP necessary: assist [at] archi-tectonics.com
Daab Publishing Book invites you to a book launch for Winka Dubbeldam‘s latest publication “Archi-tectonics.”
Fragmentation and Synthesis: The Architecture of Winka Dubbeldam
Winka Dubbeldam is not as interested in the tools of the digital age as in the outcomes they make possible. And she is less concerned with what’s possible than with what could possibly make sense. This could not be confused with straightforward pragmatism. Rather, Dubbeldam creates the conditions by which the parameters of architecture are obscured, redrawn and amalgamated so as to achieve a maximally effective result. In the search for built forms, she employs a kind of integrative methodology, drawn from diverse fields of research, by which technology, systems, and the rethinking of programmatic conventions intersect not so much at points and nodes, but as skins, networks and both fluid and fragmented volumes. Fragmentation, after all, is part-and-parcel with synthesis, just as cells must split so that a living being can grow, in Dubbeldam’s hands, the fracturing of architecture coincides with its genesis. A building thus becomes less passive than active; subjected to myriad forces, it must not only function, but also perform.
To grasp her work requires some flexibility; Dubbeldam has no interest in having a consistently discernable style, nor any single mode of operation. Having founded her New York-based firm Archi-Tectonics in 1994, the Dutch-born architect was best known for most of the last decade for her Greenwich Street Project, a residential loft building in downtown Manhattan. Completed i 2004, its 11-story glass facade folds and ripples around an existing warehouse like a cascade of water–a dalliance with the site’s zoning envelope that, by way of its faceted facade, splinters one’s relationship with the streetscape outside. Elsewhere, in her 2002 installation “From HardWare to SoftForm” at New York’s Frederieke Taylor gallery, Dubbeldam explored the mutation of form (specifically, a holographic representation of her Gipsy Trail House in upstate New York) using sensors that responded to the movement of visitors. In other projects, like her Aida hair salon (completed in 2000) in Manhattan, walls doubled as furniture, spaces creased, surfaces broke into shards. In all cases, by fragmenting walls, volumes and surfaces into newly construed, constituent components–facets, shards and so on– a variant type of architecture was generated.
~ Excerpt from introduction by Aric Chen
Cappellini 152 Wooster Street New York, NY 10012
www.archi-tectonics.com www.daab-media.com
March 3rd, 2011 by Robert Kloos
Tim Groen, A new self: The Artist’s World by Daniel Fresnay, PT 2, 2009, Mixed media on paper, courtesy the artist
March 3 – April 22, 2011 Opening reception: March 3, 2011, 6-9pm
Ivy Brown Gallery is pleased to announce Tim Groen‘s second solo exhibition with the gallery.
Captions is comprised of the text based collages on paper Tim Groen has been creating since 2008, based on actual captions that clarify book-illustrations. Hand cutting each letter, using a font based on a 19th century wood type, he mounts the descriptive texts on identically sized boards (16" X 20). The paper used for the type and the grounds is usually painted by Tim Groen, in a mostly somber palette. The newest Captions tends to consist of black type on an untreated background of white or cream board.
Tim Groen, Marie Antoinette: Enchanted Visions, Claude Arthaud, PT 3, 2009, Mixed media on paper, courtesy the artist
"By taking all these texts, I’m creating this seemingly random assortment," he explains, "But in the end, since each one is picked by me, it says something about where my head is at, what kind of books I’m looking at, what sticks out to me*"
The appeal to Tim is that Captions almost reads like a personal diary, yet there is something universal about these short, isolated texts. Picking captions that run the gamut from the idyllic to the disastrous ("Unfolding leaf buds of a Fatsia Japonica," versus "7 Auschwitz 1957,") he also finds himself using captions that leave little doubt as to their book-specific origins: "Facing Page: Detail of Fig. 50."
Tim Groen, Facing Page: Bloomsbury Rooms by Christopher Reed, 2008, Mixed media on paper, courtesy the artist
"Referring to the fact that these are all pulled from books is important to me," he says, "The concept starts with my love for books, the printed word, and looking at images on paper." The Captions in the exhibition represent a selection from the series; Tim is continuously creating new additions.
Tim Groen, Hemingway: Sigmar Polke, History of Everything, PT, 2009, Mixed media on paper, courtesy the artist
While he has made a stylistic choice of only using lower case type, the captions themselves, including all punctuation and abbreviations, are lifted verbatim. Each piece is titled after the book it was pulled from, and frequently includes the author’s name. For example, the collage that says "A Thank-You Note From The First Lady," is titled "Stork Club, Blumenthal."
Tim Groen, Man Marble: Arp sculptures By Michel Seuphor, 2010, Mixed media on paper, courtesy the artist
Tim Groen is an Amsterdam-born art director/artist currently based in New York. He studied at the Hogeschool voor de Kunsten in Utrecht and the Gerrit Rietveld Academie in Amsterdam. He has been commissioned by a variety of media and fashion companies including MTV, Levi’s, Maybelline and The New York Times Magazine.
Tim Groen, Psilocybin Mushroom: The Golden Age of Advertising, The 70′s, 2010, Mixed media on paper, courtesy the artist
Ivy brown Gallery 675 Hudson Street, 4th Floor New York, NY 10014
www.ivybrowngallery.org
March 3rd, 2011 by Robert Kloos
 Melanie Bonajo, Soft & Hard, 2010, courtesy P.P.O.W. gallery and the artist
March 3 – 6, 2011
P.P.O.W. Gallery presents Melanie Bonajo at Moving Image, an art fair of contemporary video art.
Waterfront New York Tunnel 269 Eleventh Avenue Between 27th and 28th Streets New York, NY 10001
www.ppowgallery.com www.moving-image.info
March 3rd, 2011 by Robert Kloos
Jasper de Beijer, The Recollector, 2010, courtesy TZR Galerie Kai Bruckner and the artist
March 3 – 6, 2011
TZR Galerie Kai Bruckner represents Jasper de Beijer at Pulse.
TZR Galerie at Pulse Metropolitan Pavilion 125 West 18th Street New York, NY
Tel.: +49 (0)21-1917-4489
www.tzrgalerie.de www.pulse-art.com
March 3rd, 2011 by Robert Kloos
Jan Wattjes, Erfenis, 2008, coutesy Livingstone Gallery and the artist
March 3 – 6, 2011
Livingstone Gallery from The Hague (NL) presents work by Raquel Maulwurf, Ryan Mendoza, Birgit Verwer, and Jan Wattjes at Pulse New York. Raquel Maulwurf, Dark Forest, 2010, courtesy Livingstone Gallery and the artist
Birgit Verwer, Waste of Time, 2010, courtesy Livingstone Gallery and the artists
Livingstone Gallery at Pulse New York Metropolitan Pavilion 125 West 18th Street New York, NY Tel.: +31 31 (0)6-5471-1701
www.livingstonegallery.nl www.pulse-art.com
March 3rd, 2011 by Robert Kloos
Lonnie van Brummelen & Siebren de Haan, Friends, Foes and Hybrids (still), 2010, courtesy Wilfried Lentz and the artists
March 3 – 6, 2011
Wilfried Lentz from Rotterdam (NL) represents: Giorgio Andreotta Calò, Rossella Biscotti, James Beckett, Lonnie van Brummelen & Siebren de Haan, Ulrik Heltoft, Susanne Kriemann, Matts Leiderstam, Wendelien van Oldenborgh, Philippe van Wolputte, Hito Steyerl.
Wendelien van Oldenborgh, Pertinho de Alphaville, 2010 (Installation view 29th São Paulo Biennal), courtesy Wilfried Lentz and the artist
Wilfried Lentz at Independent Art Fair 548 West 22nd Street New York, NY 10011 Tel.: +31 (0)10-412-6459
www.wilfriedlentz.com www.independentnewyork.com
March 3rd, 2011 by Robert Kloos
Thursday, March 3, 2011, 6:30pm
As the recipient of the Kenzo Tange Visiting Professor Chair at the Harvard University Graduate School of Design, Ben van Berkel will present a lecture, ‘The New Understanding’.
Today, the discipline of architecture is wide open to the possibility of radical change. The narratives of gain and growth that explained, legitimized and propelled forward so much architecture in the past decades have been interrupted. The focus now is on articulating new conceptualizations of possibly all the vital considerations at the core of the field. Yet this is nothing new in itself; architecture thrives on newness. Without continuous material, cultural and ideological innovations, the profession loses its specificity and becomes simply a bland part of a generic building industry. With UNStudio we have long realized this, which is why we have pushed ourselves in many different directions, continuously addressing new challenges and questions. But at the same time this experimental attitude has also led us to consciously seek to build as much as we could. Disengagement from the dangers of the building industry within the globalized economy has never been our preferred option. Perhaps now, even more than at the height of the boom, this engagement is necessary to identify the topics that we need to understand in new ways. These topics are: knowledge, cultural versus economic values, speed and the future. How do we begin to understand these anew? How can we find a new balance between timeless values endogenous and exogenous to architecture?
UN Studio, Erasmus Bridge, 1990-1996, image via Wikipedia
Ben van Berkel studied architecture at the Rietveld Academy in Amsterdam and at the Architectural Association in London, receiving the AA Diploma with Honours in 1987. His first projects were built almost immediately after founding Van Berkel & Bos Architectuur Bureau. Among the buildings of this first period are Karbouw, the Remu electricity station, and Villa Wilbrink. Being elected to design the Erasmus Bridge in Rotterdam (1996) profoundly affected his understanding of the role of the architect today and constituted the foundation of his collaborative approach to practising, leading to the foundation of UNStudio in 1999.
In the interim a blue period resulted in the realization of projects such as The Moebius House, Het Valkhof Museum (1998), and the Prince Claus Bridge (2003). Recent projects, which reflect his longstanding interest in the integration of construction and architecture, are: the Mercedes-Benz Museum in Stuttgart and Arnhem Central. He has been visiting lecturer at Princeton and had taught at Columbia University, the Berlage Institute and UCLA. He is currently Professor of Conceptual Design and head of the architecture department at the Staedelschule in Frankfurt am Main (Germany). Ben van Berkel has co-authored a significant number of essays and monographs.
About the Kenzo Tange Chair Since spring 1984, twenty-nine internationally recognized architects and urbanists have been appointed to the Kenzo Tange Visiting Professorship Chair at Harvard. In these twenty-seven years recipients have included Alvaro Siza, Enric Miralles, Peter Zumthor, Zaha Hadid and Kazuyo Sejima. In addition, several current faculty members, including Rafael Moneo, Farshid Moussavi, and Jacques Herzog & Pierre de Meuron were also recipients of the Chair.
Harvard University Graduate School of Design Piper Auditorium, Gund Hall 48 Quincy Street Cambridge, MA 02138 Tel.: 617-496-2414
www.gsd.harvard.edu
March 2nd, 2011 by Robert Kloos
Kees Goudzwaard, Model (For A Large Wall), 2010, courtesy Zeno X Gallery and the artist
March 3 – 6, 2011
Zeno X Gallery from Antwerp (B) represents: Michaël Borremans, Dirk Braeckman, Raoul De Keyser, Jan De Maesschalck, Stan Douglas, Marlene Dumas, Kees Goudzwaard, Noritoshi Hirakawa, Yun-Fei Ji, Kim Jones, Johannes Kahrs, Naoto Kawahara, John Körmeling, Mark Manders, Jockum Nordström, Jenny Scobel, Maria Serebriakova, Bart Stolle, Luc Tuymans, Patrick Van Caeckenbergh, Anne-Mie Van Kerckhoven, Jack Whitten, Cristof Yvoré.
 Marlene Dumas, Moshekwa, 2006, courtesy Zeno X Gallery and the artist
Mark Manders, Composition with yellow Vertical, 2010, courtesy Zeno X Gallery and the artist
John Körmeling, Meeting Point, 2005, courtesy Zeno X Gallery and the artist
Zeno X Gallery at The Armory Show – Pier 94 Tel.: +32 (0)3-216-3888
www.zeno-x.com www.thearmoryshow.com
March 2nd, 2011 by Robert Kloos
Erik van Lieshout, Unititled, 2010, courtesy Gallery Bob van Orsouw and the artist
March 3 – 6, 2011
Galerie Bob van Orsouw represents: Haluk Akakçe, Philip Akkerman, Nobuyoshi Araki, Armen Eloyan, Anton Henning, Teresa Hubbard / Alexander Birchler, Edward Lipski, Lutz & Guggisberg, Daido Moriyama, Paul Morrison, Ernesto Neto, Julian Opie, Walter Pfeiffer, David Reed, Albrecht Schnider, Shirana Shahbazi, Bernard Voïta, Mario Ybarra Jr., Hannah van Bart, Marcel van Eeden, Erik van Lieshout.
Hannah van Bart, Hindsight, 2007, courtesy Gallery Bob van Orsouw and the artist
 Marcel van Eeden, Untitled, 2010, courtesy Gallery Bob van Orsouw and the artist
 Philip Akkerman, Selfportrait No. 39, 2009, courtesy Gallery Bob van Orsouw and the artist
 Armen Eloyan, Dreaming, 2008, courtesy Gallery Bob van Orsouw and the artist
Galerie Bob van Orsouw at The Armory Show – Pier 94 Tel.: +41 (0)44-273-1100
www.bobvanorsouw.ch www.thearmoryshow.com
March 2nd, 2011 by Robert Kloos
Ronald Ophuis, Marches Funebres: Boy with Gun, 2011, courtesy Upstream Gallery and the artist
March 3 – 6, 2011
Upstream Gallery from Amsterdam represents: Cristian Andersen, Marc Bijl, Katrina Daschner, David Haines, Jeroen Jongeleen, Maartje Korstanje, Cristóbal León, Jen Liu, Ronald Ophuis, Dennis Rudolph, Pepo Salazar, Rob Voerman, Lucy Wood, Izaak Zwartjes.
Cristóbal León (in collaboration with Nina Wehrle), Der Kleinere Raum (still), 2009, courtesy Upstream Gallery and the artist
Izaak Zwartjes, Exodus (part of installation at Cobra Museum, Amstelveen, NL), 2009, courtesy Upstream Gallery and the artist
David Haines, Adidas Chicken Convection, 2010, courtesy Upstream Gallery and the artist
Jeroen Jongeleen, Investment Vanitas Investment, 2008, courtesy Upstream Gallery and the artist
Rob Voerman, Untitled, 2011, courtesy Upstream Gallery and the artist
Marc Bijl, Black Dawn, 2010, courtesy Upstream Gallery and the artist
Maartje Korstanje, What If* Upstream Gallery Amsterdam 2010, courtesy Upstream Gallery and the artist
Upstream Gallery at the Armory Show – Pier 94 Tel.: +31(0)20-428-4284
www.upstreamgallery.nl www.thearmoryshow.com
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