Various Dutch galleries will be present at the Miami art fairs – Miami, FL

November 30th, 2012 by

Zeger Reyers, Hard Water, 2011, courtesy of Maurits van de Laar Gallery and the artist, to be seen at Scope Miami 2012

December 4-9, 2012

During Miami Arts Week, various Dutch galleries will show work by Dutch and international artists at Art Miami, Context, Justmadmia, Pulse, and Scope, including Alex Daniels / ReflexAndenken / The GarageCanvas International ArtGalerie KersLeslie Smith GalleryLMAK ProjectsMaurits van de LaarMirta Demare International Visual ArtsPriveekollektieTorch GalleryWanrooij Gallery, and Witzenhausen Gallery.

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Marc Bijl in group exhibition at LMAKprojects – New York City

October 25th, 2012 by

Marc Bijl, installation view of ‘Urban Gothic’ at Groninger Museum, the Netherlands, 2012, courtesy LMAKprojects and the artist

October 30 – December 23, 2012

LMAKprojects is pleased to introduce the group show ‘Strangers in a strange land’ featuring the work of Martin Basher, Marc Bijl, Jasmina Cibic, and Craig Leonard. Four foreign voices offering a refreshing look upon contemporary American culture. Through archiving, rebellion, reflection and humor we are asked to confront some of our consumer habits and cultural genealogy. We identify ourselves through our heritage frequently embodied by symbols affiliated to religion, nationalism, power and wealth. These aritist investigate these symbols and through readjustment their work re-embodies them with a new vigor of re-presentation.

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Sara Blokland solo exhibition at LMAKprojects – New York City

April 27th, 2012 by

Sara Blokland, Butterflies don't exist, 2011 (video still), courtesy of LMAKprojects, NY and the artist

April 29 – June 3, 2012
Opening reception: Sunday, April 29, 2012, 6-9pm

LMAKprojects is pleased to present Sara Blokland’s third solo exhibition with the gallery, titled Butterflies don’t exist. The exhibition shows the eponymous video installation. This work consists of eight short video chapters, displayed in a room covered with black and white images of nature on wallpaper. Next to this work Blokland shows the premiere of the The Wallpaper-paper a photo-installation that consists of a small newspaper.

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Liselot van der Heijden artist’s talk and solo exhibition at LMAK Projects – NYC

January 11th, 2012 by

Liselot van der Heijden, installation view of "Les Un et Les Autres," courtesy LMAK Projects and the artist

December 16, 2011 – January 29, 2012
Artist’s Talk: Saturday, January 14, 2012

LMAKprojects is pleased to present Liselot van der Heijden’s third solo exhibition with the gallery, titled Les Uns et Les Autres (The Ones and The Others.) The exhibit will feature the artist’s latest multiple channel video-installation and explores disparities between the observer and the observed, and of those on the sidelines and those who are fully engaged in political protest.

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Various Dutch galleries will be present at Art Basel Miami Beach, Art Miami, Pulse Miami and Scope Miami – Miami, FL

November 27th, 2011 by

Ryan Gander, Your Present Time Orientation (Second Act) – Random Abstraction, 2011, courtesy Annet Gelink Gallery and the artist

November 29 – December 4, 2011

Annet Gelink Gallery at Art Basel Miami Beach
Artists at Art Nova: Ryan Gander, Wilfredo Prieto. Further artists represented: Carlos Amorales, Yael Bartana, Alicia Framis, Anya Gallaccio, Roger Hiorns, Sharon Houkema, Carla Klein, Meiro Koizumi, Kiki Lamers, David Maljkovic, Dan McCarthy, Jenny Perlin, Bradley Pitts, Liza May Post, Muzi Quawson, Glenn Sorensen, Ed van der Elsken, Marijke van Warmerdam, Barbara Visser, Erik Wesselo.

 


Arik Levy, Rock Growth, 2011, courtesy Priveekollektie and the artist

Priveekollektie at Art Miami.
Artists represented: Arik Levy, Carolina Wilcke, Christiane Richter, De Intuitiefabriek, Dominic Harris, Eefiene Bolhuis, Hans Kotter, Ien Lucas, Miguel Chevalier, Reinier Bosch, Rolf Sachs, Viktor Timofeev.

 


Elana Herzog, Untitled (p28), 2010, courtesy LMAK Projects and the artist

LMAK Projects at Pulse Miami.
Presenting Jeff Grant, Elana Herzog, Jen Stark, Penelope Umbrico. Further artists represented: Kenseth Armstead, Sara Blokland, Nayda Collazo-Llorens, Andy Graydon, Liselot van der Heijden, Nava Lubelski, Gerald Petit, Silvia Russel, Jowan van Barneveld, Lieven de Boeck, Sabrina Gschwandtner, Russell Nachman, Carlos Rigau.

 


Marjan Teeuwen, Archief 5, 2011, courtesy Cokkie Snoei Gallery and the artist

Cokkie Snoei Gallery at Pulse Miami.
Presenting Elza Jo, Ben Merris, Peter Redert, Marjan Teeuwen. Further artists represented: Sylvia Alonso, William Anthony, Lyle Ashton Harris, Heike Kati Barath, Norbert Bisky, Niels Broszat, Marco van Duyvendijk, Dennis Feddersen, Fomy Finke, Risk Hazekamp, Pieter Hugo, Esther Janssen, Rince de Jong, Yves Klein, David Kramer, Wilma Kuil, Pieter Kusters, Gyz La Riviere, Roxanne Lowit, Phoebe Maas, Olaf Martens, Sands Murray-Wassink, Jan Schaper, Bert Sissingh, Sjoukje Sissingh-Boersma, Paul M. Smith, Tacey Snelling, Ari Versluis & Ellie Uyttenbroek, Eveline Visser, C.A. Wertheim, Bas Zoontjens.

 


Anya Janssen, BUT WHATEVER IT WAS, IT CAME OUT OF THE TREES...8, 2010, courtesy Torch and the artist

Torch Gallery at Pulse Miami.
Presenting Eelco Brand, Wouter Deruytter, Mitsy Groenendijk, Anya Janssen, Loretta Lux, Terry Rodgers. Further artists represented: Philip Akkerman, Susan Anderson, Hans Broek, Edward Burtynsky, Gary Carlsley, Popel Coumou, Martin C. de Waal, Martin Denker, David Drebin, Rowena Dring, Eldon Garnet, Margi Geerlinks, Anthony Goicolea, Line Gulsett, Simon Henwood, Teun Hocks, Twan Janssen, Min Kim, Ellen Kooi, Gordon Clark & Leon Botha, Stepanek Maslin, Justin McAllister, Jochen Muhlenbrink, Ulf Puder, Carlos & Jason Sanchez, Kahn & Selesnick, Lena Soulkovskaia, Henk Tas, Gerald van der Kaap, Carrie Yamaoka, Thijs Zweers.

 


Flokje van Lith, Eyes of Innocence - Sera, 2011, courtesy Witzenhausen Gallery and the artist

Witzenhausen Gallery at Scope Miami.
Presenting Flokje van Lith, Jeff Robb. Further artists represented: Federico Junca Acebedo, Jowhara Alsaud, Pedro Bakker, Alvaro Barrios, Bahar Behbahani, Boris van Berkum, Lotta de Beus, Paul Blanca, Linda van Boven, Annemarie Busschers, Ray Ceasar, Michael Chelbin, L.J.A.D. Creyghton, Wendelien Daan, Thomas Doyle, Kevin Erskine, Mitsy Groenendijk, Teiji Hayama, Harma Heikens, Erik Hijweege, Nissian Hughes, Christel Lebas, Sofia Maldonado, Raul Marroquin, Enrique Marty, Jacques Meijer, Olphaert den Otter, Roland Schimmel, Michael Scott, Ixone Sadaba, Pepe Smit, Roland Sohier, Sanghee Song, Daishin Sumimoto, Anna Wypych.

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Sara Blokland in group exhibition at LMAK Projects – New York City

December 14th, 2010 by

Sara Blokland, Installation view Reproduction of family (part two), 2009, courtesy LMAK Projects and the artist

December 15 – 24, 2010
Screening and Q&A: Tuesday, December 14, 2010, 7-9 pm

LMAKprojects is pleased to present Recorded Stories a film/video screening featuring the works of Elia Alba, Sara Blokland, Claudia Joskowicz, Karina Aguilera Skvirsky and Sari Tervaniemi. This exhibit is an exploration of identity through the eyes of five international artists. In the videos the artists approach and explore issues of their identity and affinity through such subjects matter as personal stories of race, political iconography of a continent, societal roles and stereotypes. Through their observation the audience is presented with different perspectives that allow for a review of preconceived notions.

In Sara Blokland’s two videos she examines the role of photography in representing and conceptualizing identity and personal history. The first video Roos not made for you Roos is a reflection on a photo shoot the artist made of her then seven year-old niece. The girl stares into the camera’s lens as she slowly becomes aware that she is the subject, while the artist questions herself about photographic strategies and their relation to power. In the second film Tissue Blokland shows a plain but disturbing self-portrait through a series of stills, the audience is unable to determine how her physical condition came to be. In both videos text plays an autonomous role as an image that negotiates and disturb the narrative of the photographic image.

Sara Blokland, Installation view Reproduction of family (part two), 2009, courtesy LMAK Projects and the artist

LMAK Projects
139 Eldridge Street
New York, NY 10002
Tel.: 212-255-9707

www.lmakprojects.com

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Solo exhibition Silvia Russel at LMAKprojects – New York City

September 12th, 2010 by

Silvia Russel, Selection of Bijlmer Drawings, 2010 courtesy LMAKprojects and the artist

September 12 – October 17, 2010
Opening: Sunday, September 12 from 5-8 pm

LMAKprojects is pleased to announce the presentation of In Between Time, the third solo exhibit by Silvia Russel at the gallery. In this exhibit, Russel sought to capture the process of gentrification in the Lower East Side through drawings. She has done so by interacting and interviewing members of the LES community.

Russel immersed herself in the LES neighborhood – she approached inhabitants on the street, took part in individually guided walks with locals and spent nights in their residence – all in effort to view the neighborhood through a different lens. She interviewed across the board – from inhabitants whose roots are cemented in the community to new arrivals, asking both ends about the ways in which gentrification has affected their lives.

Silvia Russel, Untitled, 2010, courtesy LMAKprojects and the artist

Russel is interested – as an artist and outsider – if and where the old and new meet. Do social networks mix? Do different social groups work together in the neighborhood? Does the new replace the old? Or, do they develop a hybrid characteristic to the neighborhood?

In her work, Russel combined the stories she has been told with her own experiences and imagination. On view are colorful drawings accompanied by written statements of the interviewees depicting LES inhabitants, such as Chinese, Hispanic, Jewish and Caucasian persons in a background typical for the LES area. The drawings give a glimpse of the social positions in the neighborhood and how this has changed over time. The work offers a visual dialogue to the idea of gentrification in the LES, and makes the viewer a witness of a moment in the ongoing process.

Silvia Russel, Untitled, 2010, courtesy LMAKprojects and the artist

In relation to this, Russel will also present a series of drawings, which was developed in a neighborhood in Amsterdam called the Bijlmer. It is a residential area that was developed in the 70′s and was presented as a suburban neighborhood, a utopia, however it became known as the ghetto of Amsterdam. In recent years the neighborhood has seen drastic changes and celebrates its diversity within the community. The two bodies of works offer an interesting relation and contrast to each other as the viewer can see the result of gentrification in neighborhoods from different hemispheres of the world, and finding that we don’t differ that much at the end of the day.

LMAKprojects
139 Eldridge Street
New York, NY 10002
Tel.: 212-255-9707

www.lmakprojects.com

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Liselot van der Heijden presentation at Cooper Union – New York City

March 5th, 2010 by

Liselot van der Heijden, installation view of Monument Valley, courtesy Smart Project Space, Amsterdam

March 5, 2010 from 5:30-8:00pm

False Metaphors: Screening of selected one-channel videos by Liselot van der Heijden, followed by a panel discussion with artist Dennis Adams, art historian and author Martha Buskirk, artist Liselot van der Heijden, critic Chris Kasper and curator and author Sara Reisman. Afterwards there will be a reception and book signing.

Liselot van der Heijden: False Metaphors is an artist monograph that consists of visual documentation of fifteen art projects by Van der Heijden, with texts by the artist and two essays about the artwork by art historian Martha Buskirk (Ph.D., author of The Contingent Object of Art, published by MIT Press) and independent curator and director of Percent for Art in New York, Sara Reisman. The publisher is Smart Project Space, a cutting edge Contemporary Art Institution in Amsterdam and IDEA books is the distributor. The book is approached as a creative project and received a publication grant from The Netherlands Foundation for Visual Arts, Design and Architecture.

Liselot van der Heijden produces installations, videos, objects and photographs. Recurring themes in Van der Heijden’s works are control and power of the gaze, the tendency to objectify "the other" and "nature" as a cultural/political idea and anthropomorphic projection. Her work suggests that representations of nature reveal more about cultural, ideological, political and social frameworks, than actual nature.

Liselot van der Heijden, installation view of Monument Valley, courtesy of Smart Project Space, Amsterdam

Over the past decade, van der Heijden has exhibited at various institutions throughout Europe and the United States. Her work was shown at LOOP, Barcelona, Rencontres Internationales Paris/Berlin, Palais de Tokyo, Paris, Musée d’art Moderne et Contemporain de Strasbourg and Centre Contemporain d’Istres, France, Videonale 8, Bonn, Smart Project Space, Amsterdam, and Centre de Cultura Contemporania de Barcelona. In the United States, venues include Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, the Bates Museum of Art, Lewiston, Maine, Mason Gross Galleries, Rutgers University, New Brunswick, NJ, Danforth Museum, Framingham, MA, 40000, Chicago, Quotidian Gallery, San Francisco and the Smithsonian Institution, Washington DC. In New York City, she has shown works at the New Museum, the Queens Museum, the Brooklyn Museum, Lincoln Center, LMAK Projects, Luxe Gallery, Schroeder Romero, Exit Art, Artist Space, White Box, Momenta Art and the Dumbo Arts Festival, among other venues. Liselot van der Heijden received a fellowship from the Civitella Ranieri Foundation and numerous residencies from the Experimental Television Center. She has a BFA from the Cooper Union and a MFA from Hunter College. Van der Heijden has lectured on her work in venues such as the Massachusetts Institute of Technology, Maryland Institute College of Art, Baltimore, New York University, The School of Visual Art, and Pace University in New York. From 1999 until 2005, she taught at the Cooper Union and Pratt Institute. In September 2005, she joined the faculty of The College of New Jersey. Liselot van der Heijden is represented by LMAKprojects in New York.

Cooper Union
7 East 7th Street

New York, NY 10003

www.cooper.edu

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